I don’t see color. Racism starts when people distinguish between people because of skin tone.”—(not from the Dictionary of Social Justice)
What color is a sheet of paper?
“Well, it’s white, unless it’s colored paper.”
“Why is it white by default?”
“Things just show up better on white paper.”
There’s an art exercise where one draws on black paper instead of white. Often that results in someone using white marks on black just as if it were black marks on white paper—a simple inversion—but sometimes, it leads to a deeper shift in concept. What happens when you paint with light instead of dark? When you make dark the default, instead of the colored-in?
What if you went further? What if, instead of marking the paper, you used pinpricks and knife cuts? What if instead of light shining on the paper, you assumed light shining from behind the paper? What color paper would be useful in that situation?
White paper is the default “best” for a whole set of parameters we rarely examine.
…but we bleach our tree pulp paper to achieve whiteness because of those unexamined parameters.
Assuming the undefined “person” is White carries a similar set of unexamined parameters and consequences. When, as a person perceived as White by those around you, you assume that “color blind” means “like the default person” and your default person is white, this is like handing out only black crayons and not noticing that some people are not using white paper. The crayon choice was made without considering the impact it would have on papers outside your [unexamined] default assumption.
“But I offered the entire box!”
And how were the colors in the box chosen? And why are we using crayons? Why are we assuming putting down marks on the paper?
Imagine living your whole life as colored paper in a world that assumes paper is white. “If you just put down your marks carefully, and with good attention to placement, your message will be easily understood!”